Synchro Arts have been able to nail the workflow with an AudioSuite plugin, that drives Revoice Pro in the background with no need to have to switch back and forth between Pro Tools and Revoice Pro. In the demo video above, at the start, you will hear my first attempt at ADR from a video recorded on my iPhone, which I go on to show how, using the new features in Revoice Pro 4.3, I was able to replace the camera mic audio with a studio-recorded version as well as show how Smart Align deals with gaps.Īs a veteran of Revoice Pro, as it has developed over the years, this latest version provides the workflow it should always have had in my book. This new feature enables you to align longer performances, which previously had to be broken down into small segments. When this is enabled, it can align audio with significant gaps in the guide or dub audio. The APT processes, used to align the timing and pitch of multiple vocal tracks, now has SmartAlign. For those working in audio post-production the stand out new feature added to Revoice Pro is Smart Align combined with a quick workflow that means you don’t need to leave Pro Tools to sync ADR to location sound.Īlthough Version 4.3 introduced an ARA version of the Revoice Pro link plug-in for Logic Pro users so providing instantaneous transfers back and forth between Logic Pro 10.6.2 or higher Synchro Arts haven’t abandoned Pro Tools users by providing a new set of AudioSuite plugins. With the release of Revoice Pro v4.3, Synchro Arts have raised the bar yet again. Revoice Pro 4 brings together advanced timing and pitch alignment technology, as well as a set of cutting-edge tuning tools and a natural-sounding vocal doubler for those working on the singing voice. Revoice Pro 4 is a great solution for completing complex editing tasks if you regularly work with dialogue and need to sync other lines to fit the picture. IZotope RX 8 Advanced - Software Product Of 2020 - Mike Thornton's Choice IZotope RX 8 Released - We Have All The Information And An Exclusive Test And Review We shouldn’t forget the very clever tools added in previous versions of RX including Dewind and Derustle, for dealing with unwanted wind noise on-location recordings and clothes rustle picked up by lav mics. Making it an extremely timely new feature in RX 8 Advanced. Spectral Recovery is also able to patch holes in the frequency spectrum as a result of lossy codecs like mp3s and those used by the likes of Zoom and Skype and Spectral Recovery. Again with Spectral Recovery, it will now be possible to recreate the missing high frequencies.īut that’s not all. In the ADR world, people are using smartphones to capture their ADR lines rather than go into a studio. Think of all those socially distanced tracks recorded by people using their phones and now you are able to recreate the high-end frequencies that were never captured. The Spectral Recovery module is a timely inclusion with more and more content being recorded at home often using smartphones that also tend to have a high frequency cut off. Looking at the other new audio restoration features in RX 8 Advanced, especially the Spectral Recovery module and the new Wow and Flutter modules, they are both very useful in post-production applications. In our recent podcast, Experts Talk Dialogue Editing For Film, TV, And Radio, Damien Kearns mentioned how he also uses Guitar Denoise for removing hums and buzzes, rather than the regular Dehum module. I was blown away with the Amp section, which as I show in the demo video above, is able to do a much better job of cleaning up an electric guitar part than even the improved De-hum module and it means that Guitar Denoise is my go-to module when dealing with hum and buzz. Includes a standalone audio editor application and several module plug-insĪlthough RX8 was primarily a music focussed release with the Guitar De-noise module and the improvements in the Music Rebalance module, it is very good to see that iZotope have included the Guitar De-noise module in both the Standard and Advanced versions of RX 8. Perform processing on an entire library of files at once Remove hum, clicks, pops, crackle, hiss, noise, and more from audio filesĪdjust musical mix elements from a summed audio file It can diagnose and repair audio issues in music or post-production, rebalance mixes after export, and optimize loudness, in short, it can perform the impossible. Yes, there are others to consider but none are as extensive as iZotope’s Advanced suite of tools. With each iteration, iZotope’s RX Advanced suite of audio restoration tools just gets better and better and in my view, the Advanced version should be on every dialog editors list of essential tools.
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